The days are stretching just a little longer now, and here we are, mid-February, catching our breath after Valentine’s Day, waving goodbye to Chinese New Year, and staring down the last stretch of winter like it needs to find the door and GTFO. We’re craving Spring like it’s a hit we’ve been holding out for all season. Soft light spilling over rooftops, buds starting to hint at green, a little warmth that makes the cold feel almost tolerable. Maybe it’s the haze of winter lingering in our heads, or maybe it’s just us daydreaming a bit harder than usual, but everything feels a little brighter when you slow down long enough to notice it. 

This week, we’re leaning into color and light, or the deliberate absence of it, with Peter Judson’s pixel-perfect CMYK experiments reminding us that even muted palettes can dance when you pay attention. James Turrell’s new Skyspace, As Seen Below, is bending perspective and time in ways that make the sky feel almost tangible, and Olafur Eliasson’s Tate Modern retrospective shows just how far imagination can stretch when light becomes the medium itself. 

It’s the kind of stuff that makes doing nothing feel like the most productive thing you could possibly do. Letting your mind drift, your eyes wander, your thoughts untethered, even for a little while. Whatever your version of nothing is, quiet on the couch, a slow walk, or staring at the ceiling—we hope you give yourself the time to sink into it.